If two different chords are combined, the tones
present in the higher-pitched chord form new
relationships with the tones found in the lower
chord.
For example:
The root of the second chord (F), becomes the
third of the first chord (D). The third (A)
becomes the fifth and the fifth (C) is now the
seventh of the combined chord.
These new functions fit well with the original
chord as they form primary relations with the
root of the chord.
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