author : Elizabeth Bear

Jenny Casey, 50-year-old Canadian war veteran, suddenly finds her past coming back to haunt her. Street kids are dying from a contaminated batch of the military drug Hammer; her out-of-date military prosthetics are beginning to degrade, giving her terrifying combat flashbacks and slowly killing her; her old Captain is showing an interest in her again, because he needs her ability that let her successfully adapt to those prosthetics in the first place. Slowly she finds herself and her friends being ensnared again in the old politics she fought so hard to escape.

This is a great roller-coaster first novel. The crackling pace covers a wide range of action, and the multiple PoVs don't get in the way of advancing the plot, but rather give insight into the various great characters. The future geopolitical situation is bizarre, but the clever slow trickle of explanation provides just enough detail to make it just credible. The future tech includes a Richard Feynman AI, nano-tech implants, MilSpec designer drugs, beanstalks, and alien spaceships, all essential to the plot, which slowly unfolds into a complex whole without ever getting bogged down in info-dumping.

The sub-story concludes well, but the overall arc has yet to reach apogee.

Master Warrant Officer Jenny Casey, now drafted back into the Canadian Military, and even further augmented, is training to pilot a starship based on ill-understood alien technology. It's a desperate race to be the first to leave the slowly dying planet, and Casey has to tackle high-stakes politics, assassins from her past, international sabotage, a virus lurking in her enhancements, sentient AIs, possible alien visitors, and her own new relationships.

More exciting adventures at breakneck speed, upping the scale of the first book from an individual to a planetary scale. Characters you care about die. No-one is all good or all bad, but solidly three dimensional. Numerous red herrings and believable plot set-backs stop anything being too obvious or predictable. Again, there is sufficient conclusion to some subplots so that the book "ends", but still the overall plot is building up.

The third and final instalment of Jenny Casey's story sees the team up in orbit trying to communicate with the mysterious benefactors, whilst the Feynman AI, now in charge of the nanites infesting the Earth, is desperately trying to ameliorate the effects of the meteor strike on the climate. And all the while the PanChinese-Canadian conflict is in danger of escalating.

Again, the scale expands from the earlier books, now including the alien communication problems. Also, the earlier events are not forgotten, as characters struggle to overcome their grief and guilt about others who died. And the action continues, if not at so frenetic a pace, but still with a great shoot-out at the end.

Michelangelo Osiris Leary Kusangi-Jones, one of the few remaining on the repressively Governed population of Old Earth, and his erstwhile lover, Vincent Katherinessen, are sent on a diplomatic mission to Amazonia, ostensibly to return some stolen artworks to the matriarchal society there in return for access to it clean energy supply, but actually to soften up its government for an Old Earth takeover. However, everyone has their own secret agendas, all at odds with one another. Then the past of Amazonia starts to play an important role, possibly threatening the entire Coalition.

This is a story of complex politics, relationships, trusts, and betrayals, all with massive amounts of culture shock on both sides, sometimes over (seemingly) the smallest things, and lots of extremely high technology mostly in the background. Michelangelo and Vincent come from a society where women are second class citizens, and their own relationship is anathema, to one where the only men barely tolerated are such "gentles". Everyone underestimates everyone else, despite being astute politicians, because each side considers the others their inferiors.

This takes a while to get going, as each side warily circles the other, probing their defences. When the action eventually starts, it explodes along, as plot and counter-plot entwine in a fascinating manner.

Matthew is a Magus, working to protect the modern world from Faerie, particularly their habit of stealing away children. Jane is a leader of the Prometheans, a secret society dedicated to the downfall of the Faerie realm. Elaine, her daughter, is a Seeker, under geas to the Faerie Queen to seek out half-fae changeling children and return them to Faerie. Seeker's estranged werewolf lover Keith may have to fight for leadership of his pack to fulfil an ancient prophecy. Carel is the new Merlin, destined to play a role in the age-old war between men and fae. In a world where the old stories are destined to play out time and again, full war breaks out, that may destroy both sides.

This is a complex and deeply rich tale, that keeps spinning ever more beguiling plot-strands as it goes. It gives little quarter to the reader, who is assumed to know much of the mythology of Faerie, particularly the ballad of Tam Lin, which I had the advantage of coming across before on reading Pamela Dean's fine retelling. There's a lot in here, and a lot that isn't explained (such as the relationship with Hell, Angels, Arthurian legend, and the transition from third person to first person narration after one character goes through a deeply significant change), but that inexplicability just adds to the other-worldliness. It abounds with marvellous twists and turns: starting out from the simplistic premiss that the humans are right to be warring on the fae, it ends up not so much ambiguous about which side is right, as ambiguous about just how many sides there are in all (I counted at least six major sides by the end, with subdivisions in each, along with unaffiliated side-players), and who is on what side.

If you are wanting more Jenny Casey style hard core techno-thriller SF, you will be disappointed. But if you want a rich, complex, and beautifully crafted tale of Faerie in the modern day, this is for you. There is closure at the end, but clearly opportunity for further shenanigans. And after reading this, the title of the next one, Whiskey and Water, takes on a completely different meaning!

Often, on reading a collection of stories by a single author, I find there's a feeling of "sameness". Not here. This collection of Bear's short stories has an enormous range, from hard SF ("Gone to Flowers" is a Jenny Casey story, telling of how she first met Peacock) to full out fantasy, by way of magic realism. The results range from very affecting, through weird (good weird, though) and puzzling, to "huh"? A theme running through is about making choices, and how it's never too late to change and make the right choice (even though it costs).

Contents (possible spoilers)

• Elizabeth Bear. L'esprit d'escalier: not a play in one act. 2006

• Elizabeth Bear. Gone to Flowers. 2006

• Elizabeth Bear. The Company of Four. 2000

• Elizabeth Bear. Ice. 2003

• Elizabeth Bear. High Iron. 2006

• Elizabeth Bear. ee "doc" cummings. 2003

• Elizabeth Bear. The Devil You Don't. 2006

• Elizabeth Bear. Tiger! Tiger!. 2003

• Amber Van Dyk, Elizabeth Bear. The Dying of the Light. 2003

• Elizabeth Bear. And the Deep Blue Sea. 2005

• Elizabeth Bear. Schrodinger's Cat Chases the Super String. 2006

• Elizabeth Bear. One-eyed Jack and the Suicide King. 2005

• Elizabeth Bear. Sleeping Dogs Lie. 2004

• Elizabeth Bear. Two Dreams on Trains. 2005

• Elizabeth Bear. Stella Nova. 2006

• Elizabeth Bear. This Tragic Glass. 2004

• Elizabeth Bear. Botticelli. 2006

• Elizabeth Bear. Seven Dragons Mountains. 2004

• Elizabeth Bear. Old Leatherwings. 2004

• Elizabeth Bear. When You Visit the Magoebaskloof Hotel, Be Certain not to Miss the Samango Monkeys. 2004

• Elizabeth Bear. Follow Me Light. 2005

• Elizabeth Bear. The Chains that You Refuse. 2004

Lady Abigail Irene Garrett, Detective Crown Investigator, and sorceress, has to tread a fine political line in New Amsterdam, between the loyal Crown representative Duke Richard, and the independence-hungry Mayor. But they both need her when supernatural murders occur. Don Sebastien is a thousand year old vampire, and private detective, who is also interested in the murders. But just being a vampire is illegal in New Amsterdam. Abigail Irene and Sebastien discover that they have to make hard choices to serve both justice and loyalty.

This is an intriguing alternate history, set in a Victorian era where magic and vampires exist, and hence history has played out somewhat differently. It is a "fixup" novel, with several episodes stitched together, but still making a coherent overall story. Each individual murder tale is interesting in its own right, but the overall path the characters take, as they have to decide where their loyalties truly lie, are the main point. It is another example of Bear's theme of characters trying to do the right thing having to make hard choices, always with the chance of getting things wrong, but also with the chance of being able to change as they grow (despite the cost).