author : Tanya Huff

In this, her fist novel, Tanya Huff has not quite found her 'voice' yet. The first half of CotG is pretty much generic fantasy -- a world of faded Elders retreating into their Groves, interacting intermittently with Mortals to produce Powerful Children. And naturally there's trouble brewing: here the last of the evil Wizards, all thought destroyed a thousand years ago, is still around, trying to take over the world. The Elders bestir themselves just enough to create a final, good, Wizard -- Crystal -- to battle him.

Once Crystal appears on the scene, about half way through the book, the pace picks up a bit, and the Huff voice can be heard now and again, with acid comments from the various characters about their fates. It's all over a bit too soon, and a bit too easily, but the future promise of the author is visible.

What do you do when you are the last wizard in the world, created for one specific purpose, after you have fulfilled that purpose? And when everybody around you either fears and hates you for being a wizard, or worships you for having saved the world? And when the stuff out of which your mind is made seems to be slowly unravelling? Go on a quest, of course.

This is much closer to Tanya Huff's 'voice' than its precursor CotG: the story of the wizard Crystal, the mortals Raulin and Jago, the giant Sokoji, the dwarf Doan, and of Lord Death, is less self-consciously mythic, and much more a tale of (extra)ordinary people. In particular, the characterisation of Lord Death is well done.

Rebecca may be 'simple', but she can See the little people, including the little man who lives in her tree outside her Toronto apartment. Then she finds him stabbed, bleeding. She turns to the one person who may be able to help -- Roland, unknowingly on his way to becoming a Bard. Together with the bag lady Mrs Ruth, Rebecca's social worker Daru, Tom the cat, and Evan the champion of Light, they start of a battle of Light against Dark where failure will mean the end of the world itself.

That summary of the plot might make it sound clichéd, but the reality is very different. As ever, Tanya Huff manages to infuse her story all the way through with tension, drama, humour, real characters with moral dilemmas, and unexpected plot twists.

Aaron is a thief with a death wish, Darvish is a drunken prince with nothing to do, and Chandra is a wizard who doesn't want to marry Darvish. When The Stone that protects Ischia from the volcano is stolen, this mis-matched trio has to find it in time.

It's pretty obvious from early on who the traitor is, and there are few twists in the plot. It is the interplay between the three characters that makes the story: each starts off being not particularly likeable -- spoilt, even -- but their forced interaction during the "quest" brings out the best in them. The action whizzes along, and the conclusion is a little different from usual.

I don't really like vampire novels. So why have I read the first eight of Laurell K. Hamilton's Anita Blake books in the last seven months, and why have I started on a whole new series by a different author? Well, it's not the vampires -- honest -- it's the sassy, sarcastic detectives.

Vicki Nelson was a cop, a brilliant homicide detective, until failing eyesight made her quit the Toronto police force and the job she loved. She hasn't really got over it yet. Then one night she discovers the grisly remains of a corpse in what turns out to be the first of a series of gruesome killings. The tabloids are quick to scream 'Vampire'. Henry Fitzroy is a vampire; and he knows the killings are due to something much worse. The two of them have to stop the real killer before all Hell breaks loose.

Vicki is not quite in Anita Blake's almost-superhero league -- she's just a (relatively) ordinary person with one great skill: solving murders. But there are some good touches: having a vampire hunter with non-existent night vision is just one of them. And the flashbacks of Henry's earlier life add some depth, too. So, not tremendously rip-roaring, but some good solid vampire detection, and interesting characters.

Henry Fitzroy, bastard son of King Henry VIII, now Vampire, has some werewolf friends who have a problem: someone is shooting them with silver bullets, and they can't go to the police. So he calls in PI Vicki Nelson to help. But there are complications: her boyfriend Detective-Sergeant Mike Celluci is suspicious of Henry, has been investigating his background, turns up to confront him, and accidentally witnesses a werewolf Change.

Some more good detective work, snappy one-liners, and action. The werewolves are well drawn: their behaviour is different enough from human to feel alien. And it makes a pleasant change for vampires and werewolves to be the Good Guys.

Mike Celluci investigates a death at the Royal Ontario Museum, and a strange set of incidents convince him there is a killer mummy on the loose in Toronto. Well, obviously Vicki Nelson and Henry Fitzroy are the only people he can confide in. So they set out to track down the evil acolyte of an evil ancient Egyptian god, who might well turn out to be too powerful for them.

Lots of nice Egyptology, and Bela Lugosi jokes. Vicki seems to be coming to terms with her deteriorating vision, and it actually gives her a small advantage at one point. Henry is made an offer he might not be able to refuse; Vicki is forced to experience her own worst nightmare; Mike might just have to shoot his boss. And finally, we discover what Vicki keeps in that bag. Rather too many coincidences needed to drive the plot, but still the best of the series so far.

Vicki Nelson gets a devastating phone call: her mother has dropped dead with a heart attack. Grimly holding on to her control, she travels to her mother's town to arrange the funeral. But at the service, a gruesome discovery is made: the body is missing. Then Vicki sees her dead mother at the window, and what started out as a simple body-snatching case quickly develops into its full Frankensteinian horror. And if Vicki's mother is walking dead, what will happen to her when she is finally tracked down?

Rather fewer snappy one-liners, and rather more angst, as Vicki has to come to terms with her mother's death, and with her relationship with Henry Fitzroy and Mike Celluci. Good stuff, with a cracking finale in the laboratory, but I could have done with fewer Mad Scientists.

Henry Fitzroy, now living in Vancouver, finds himself being haunted by a ghost each sunset as he awakes. Who you gonna call? Well, Vicki Nelson, PI, that's who. Although he's not sure he will survive the recent change in their relationship.

I can see why Tanya Huff left the series in limbo for a few years, after nearly writing herself into a corner at the end of Blood Pact. That's always the problem when people and relationships grow and develop: you can't just write the same book over and over again, but you run the risk of losing the features that made the series fun in the first place. She pulls it off quite well, however, letting the characters change believably, and letting them realise and accept how they have changed, without sacrificing the underlying detective plot. We get fewer Highlander-esque flashbacks of Henry's earlier life, but just as many deliciously acid observations and wisecracks. But I could have done with fewer Evil Doctors.

Tony Foster, ex-lover of vampire Henry Fitzroy, bastard son of King Henry VIII, has a job on a TV set in Vancouver, He's a production assistant on Darkest Night, which features a vampire detective. He starts seeing strange things in the shadows, and comes to realise something weird is going on, and that the special effects wizard knows more than she is saying. Because she's a real wizard, refugee from another world, and the Shadowlord is coming to get her, destroying everything in his path. It's up to Tony to stop the Shadowlord, save the world, and hang on to his job. With a little help from Henry.

Set in the same universe as the Vicki Nelson books, but without Vicki herself, I wondered if the spin-off series could keep up the pace. It does. Tony is an engaging character in his own right, and there's all the characteristic Huff style of wisecracking comments about popular culture, a wry appreciation of what it would really be like if these sort of events happened in the everyday world, mixed in with a real sense of doom, danger, and darkness. A good start to a new series.

Tony Foster has a problem with the location shoot for a haunted house episode of the TV Vampire Detective series Darkest Night: the house really is haunted! He, several cast members and crew, and his boss's two awful daughters, get trapped in the house, which starts sending them mad and trying to kill each other. Only Tony knows what to do, and the others don't trust him, especially as their supressed memories of the horrific events in Smoke and Shadows start to return.

This is fun. The haunted house is scarily done, and all the usual cliches woven in beautifully, and experienced by a cast of characters who know those cliches, and react in classic Huff style to that knowledge.

Tony Foster, now Trainee Assistant Director on TV's premier Vampire Detective show, meets a Demongate: a three thousand year old woman whose continued existence is all that is preventing a demon from breaking through and wreaking havoc. But a demonic convergence is allowing other demons to break through, and try to kill her. Tony must protect her, stop the other demons, and save the world, all while trying to placate a suspicious Mountie, a tabloid journalist with a nose for the truth, his workmates, and his vampire lover Henry Fitzroy. All in a day's work. Literally.

This continues to be fun. The snappy dialogue, as people well versed in the modern world meet supernatural powers, is very well done, as usual. And this is all mixed with a real sense of menace and fear. Huff (like Duane) is an author who can makes doing good be interesting, fun, exciting, and worthwhile (and frightening, painful, and heart-tearing), whilst letting evil be petty and small and unglamorous.

Annice, sister to King Theron of Shkoder, is a Bard: she can Sing the spirits (kigh) of earth, air, fire and water, and can get them to help her out in various ways (communicate with other bards, push boats against the current, ...). Because she would not follow his plans for a politically arranged marriage, the King has disinherited her, and forbidden her to bear a child.

Now she's in trouble: not just pregnant, but pregnant by Pjerin, a man who has been condemned to death for treason. Annice and Pjerin don't even like each other, but are forced unwilling on the quest to clear his name together, and, naturally, save the kingdom from peril (of invasion by their larger neighbour, Cemandia). Annice's own lover, Stasya, another bard, is drawn into the danger, too.

This is saved from being just another generic "bardic fantasy quest" by the earthy, interesting characters, who don't always react in the 'obvious' way.

Vree and Bannon are sister and brother, assassins in the Empire's army. On one mission, their target, Gyhard, traps them, stealing Bannon's body. Vree saves Bannon from death by catching his expelled kigh ('spirit') in her own body.

Their quest is to find Gyhard and get Bannon's body back. But it's not as easy as that. Gyhard wants to steal Prince Otavas' body (and hence power), and Vree and Bannon's oath to the Emperor means they have to stop him. But Kars, an old, mad lover of Gyhard's, who robs graves to reanimate the recently-dead, has already stolen Otavas, mistaking him for a younger Gyhard. So Vree, Bannon, Gerhard, and Karlene (a Shkodern bard who feels responsible for Otavas' capture) together try to rescue him --- all for different reasons.

Set about 16 years after Sing the Four Quarters, the action takes place in the Havalkeen Empire bordering Shkoder. Again, the reasonably complex characters make this an interesting story. For example, Bannon, the 'victim', isn't particularly likeable, whilst Gyhard, ostensibly the 'villain', is the more sympathetic character.

Set immediately after Fifth Quarter, and continuing its story, the action takes place in Shkoder.

Bannon has his body back, Vree having swapped his kigh for Gyhard's in her own body. Vree travels to Shkoder to get help for Gyhard from the bards; Bannon travels to Shkoder to get Vree back and get his revenge on Gyhard; Karlene travels to Shkoder to escape the wrath of the Emperor (she had lied about Gyhard being dead); Kars travels to Shkoder for no very apparent reason, causing his usual havoc as he reanimates the dead (he has stopped robbing graves for his bodies -- he's now killing people in order to reanimate them). Everyone joins forces to defeat Kars, squabbling amongst themselves in the usual way.

The plots are getting more involved, with more characters appearing (we meet many old friends from Sing the Four Quarters, now rather older), but Tanya Huff manages to handle the multiple viewpoints reasonably well.

Another good romp.

Benedikt is a bard who can sing only one quarter -- water. The other bards go to such lengths to point out that this isn't a problem that he is convinced it is -- and feels rather sorry for himself. To prove himself, he volunteers for a dangerous mission, and ends up shipwrecked in a treacherous foreign land, prey to brutal rival factions who want to use his abilities to further their own ends. He needs to convince himself he truly is a Bard of Shkoder, before misuse of his powers puts a whole people in danger.

A rather darker tone than the previous books, with Benedikt at first moping about in Shkoder, then undergoing some horrific experiences in the foreign land. The culture is well drawn, but so deeply unpleasant it is not really a place I much want to visit, even in fiction. A few of the characters seem to do things or feel things just to move the plot forward, but Benedikt's grim ordeals that take him from sulky youngster to mature bard are convincing.

Definitely not a romp, though.

Claire Hansen is a Keeper, one of the people who patch up the fabric of the Universe when it has been torn, to stop the evil leaking through. She and her cat Austin have been Summoned to a guesthouse, where she finds herself in charge, with an evil Keeper asleep for the last 50 years in room 6, being used to plug a hole to Hell in the furnace room. And why doesn't room 4 have any windows?

The premiss sounds usual enough, and there's plenty of tension as Claire battles with the various evils, with a real chance of there being no satisfactory solution. But what raises this above many others in its genre is the glorious surreal humour of the subplots: any author who can use the term post-necrophilia guilt in context, humorously, and not at all distastefully, has my vote! The constant fights between Claire and the cat Austin over what he can eat -- Austin's relationship with the mice -- the interactions between Claire, the handyman Dean, and the ghost Jacques -- the upper-case monologues Hell has with itself -- the succession of weird travellers who arrive at the guesthouse -- are a delight.

More adventures with Claire Hansen the Keeper, her smart-mouthed cat Austin, and her new boyfriend Dean. Between them, Claire, Dean, and Claire's younger sister, Diana, an even more powerful Keeper, but rather undisciplined, are partly responsible for the intrusion of a very confused teenage angel and balancing demon into the world.

Just as consistently funny as the first in the series, but not quite so deep or dark. The angel trying to help people who don't want to be helped is almost as funny as the demon trying to be nasty to people who think she's just a typical teenager. So, delicious froth, but not quite enough substance.

Diana Hansen, Claire's more powerful younger sister, is looking forward to leaving school, and becoming a full time Keeper. And her first Summons comes one minute after she leaves. It leads her, and her cat Sam, to a mall with Dark goings-on. Realising how serious it all is, she calls in help from Claire and Austin. On the Otherside of the Mall, they discover some street kids turned elves, being led by a young Arthur, fighting against the encroaching Darkness. Mayhem ensues, accompanied by walk-on parts from mummys and Egyptian gods, talking mirrors, and a strangely familiar midget basketball team, as Diana realises she may have to make the Ultimate Sacrifice to put things right.

A strong third book in the series. It's not as laugh-aloud funny as the first -- but the humour is still good. And it has a roller-coaster plot that zooms from one calamity to the next, and you wonder how, or even if, everything will come right in the end. A bit like the Buffy show it mentions a few times, and like Duane's Wizard series, it manages a breathless mix of humour, danger, and real moral dilemmas.

I'll read anything written by Tanya Huff. It took me a while to realise this -- maybe because I hadn't mentally linked the author of the Quarters books and the Vicki Nelson books. But by the time I'd read Summon the Keeper, I'd realised that all this disparate good stuff was coming from the same author. So I leapt at this collection -- despite it costing nearly twice as much as a mass market paperback.

The stories are a mixed bag, ranging from the okay to the really rather good. Off-beat characterisation is what Huff is best at, which is hard to do in a short story. So the ones about Vicki Nelson work best in that respect (if you've read the novels) because the background is there. And it can be hard to develop rising tension in such a short space. "A Debt Unpaid" probably does that best, and sticks in the mind the longest. And a few of these verge more to horror that to SF or fantasy. But, as I said, I'll read anything by Tanya Huff.

Contents (possible spoilers)

• The Chase is On. 1989

A spaceship Captain finds an unwanted stowaway -- with two very powerful competing factions in pursuit. (Pure space opera, with some amusing touches, but nothing special.)

• Underground. 1992

He always preferred being under things -- so a job in subway maintenance seemed ideal. But his supervisor was in for a shock.

• I'll Be Home for Christmas. 1992

Elaine is trying to give her daughter Katie a real Christmas, but it seems their new farmhouse, especially the cellar, isn't cooperating.

• Shing Li-ung. 1992

Donna Chen inherits a dragon talisman from her dying grandmother -- which could be quite useful protection for a Chinese- Canadian with a rebellious brother. (Quite interesting, but a little over-earnest.)

• First Love, Last Love. 1993

That old car rusting in the back garden looks very familiar…

• Word of Honor. 1995

Pat Tarrill gives her word to a dying man to return an artifact to Scotland. (I think this is the best story in the book.)

• The Harder They Fall. 1995

When his daughter sees a tiny dragon, Colin discovers to his delight that magic is real ... but it's not quite what he expected.

• A Debt Unpaid. 1995

The mine safety engineer bears some of the responsibility for the mine accident -- but there are others who owe a debt, too.

• February Thaw. 1997

Spring comes early when Persephone quarrels with Hades, and returns home to Demeter. Demeter is horrified, not just because the seasons are out of whack, but because Persephone won't allow her to continue her winter slob-out in front of the TV.

• Symbols are a Percussion Instrument. 1997

Cynthia doesn't believe in the Tarot reading, so the Tarot has to take extreme measures to get her to notice.

• A Midsummer Night's Dream Team. 1997

The elves join in the Olympics

• This Town Ain't Big Enough. 1995

Vicky Nelson discovers someone else on her patch. (The events take place soon after the end of Blood Pact)

• What Manner of Man. 1996

Henry Fitzroy has an adventure in Regency England.

• The Cards Also Say. 1997

A Romani warns Vicky Nelson that someone is trying to kill her -- and may well succeed.

• The Vengeful Spirit of Lake Nepeakea. 1999

Vicky Nelson and Mike Celluci investigate some strange happenings at Lake Nepeakea. Is it just that the locals are trying to scare away a property developer -- or is there really a monster in the lake?

Staff Sergeant Torin Kerr is not having a good day. Despite being battle weary, she and her Marine platoon are yanked from their R&R, assigned a brand new shiny second lieutenant, and made the honour guard to a bunch of ambassadors trying to persuade the Silsviss to join the Confederation, not the Others. But General Morris assures her it is an easy, ceremonial assignment -- no fighting. Hah!

Sometimes one gets the feeling that SFnal armies are populated entirely by officers, so it makes a pleasant change to see a battle from an NCO's PoV, as Torin tries to keep her troops alive, and breaks in the new officer. Torin is a strong character, and the multi-species Confederation is good. I did occasionally lose track of which species various of the Marines are supposed to be, until I was jolted when they do something other-species specific -- but this must be intentional -- to Torin they are all just her troops. There is certainly never any doubt which species the various ambassadors are.

The reactions of the Marines to despised ceremonial duty, then their behaviour when the battle starts, is all well drawn. The action itself manages to contrast well the horror and the glory of battle. Although some of the plot twists are rather apparent, and the Real Life battle that forms the basis of the one here is soon fairly obvious, nevertheless, this is a real page turner. Now we know Tanya Huff can do straight SF as well as fantasy, and I for one want to see more of Torin Kerr.

Staff Sergeant Torin Kerr's "reward" for her previous success is to protect a team of civilians examining a mysterious spaceship, with only a small newly formed team of Marines, and under the command of the reckless glory-seeking Captain Travik. The scientists are convinced they don't need the Marines -- after all, this is a peaceful expedition, and there won't be any need for fighting. Hah, again.

This is even more of a break-neck paced page turner than its predecessor, as things start going very wrong much sooner. There's a smaller cast of characters, and instead of a big pitched battle, there are many small fire fights as the team desperately tries to move through the alien spaceship to safety, hampered by the civilians. There's nice characterisation of the Marines (although do all the officers have to be such idiots?), interesting inter-species conflicts and partnerships, some good space battles, and a marvelous Big Not-so-dumb Object.

More!

Gunnery Sergeant Torin Kerr finds herself giving constant briefings to just about everyone on "Big Yellow", the sentient alien spaceship recently discovered. So when she gets the opportunity to go on a training mission with a trainee Marines, baby-sitting a newly-regenerated Major, she jumps at the chance. Naturally, things go wrong, and Torin soon finds herself stranded on a hostile planet, fighting a battle against robot drones with only a bunch of raw recruits. She has to come up with some innovative solutions to novel problems.

More great slam bang action, building on the discoveries made in the earlier books, and not shying away from the death, blood, and gore of war. It's fun seeing Torin have to deal with "unblooded" recruits rather than rely on seasoned Marines. At least this time the officer in charge is competent. The end of this battle makes a good conclusion, but some of the events will definitely lead on to more, and bigger, problems for Torin.

Gunnery Sergeant Torin Kerr knows the Others don't take prisoners. So when she's blown up in battle then wakes up in a cave where lots of other Marines are being held, she is surprised. It is certainly more like a PoW camp than the afterlife. But first, she must restore proper military order to the Marines by removing the bullying Sergeant who has set himself up as leader, then organise an escape bid. And when that escape leads her to a group of Others, she is even more surprised.

This is non-stop breathless action. Here we see Torin in extremis, fighting battles against her own people, with no weapons and heavily outnumbered. There's even a lovely moment when we see her wishing for an officer, to look after the big picture while she gets on with the job. Since Huff isn't scared to kill off characters, there's also a kind of horrified wondering of who's going to die, when. But in the end, this is about watching Torin being a Gunnery Sergeant, a force second only to God.

There is a lot of closure at the end of this book, but I hope there is more to come: I love Huff's aliens.

Another collection of short stories. I think these work rather better than the previous collection -- maybe Huff is getting better at squashing her trademark off-beat characterisations into short stories. And several of the stories left me wanting more -- especially those of the thief Terizan -- can we hope for a whole novel based on her exploits?

Contents (possible spoilers)

• Burning Bright. 1999

When Carlene's mother Beth Aswith dies, she remembers that she is more fire than human. But she likes being human. So it's up to her and her eccentric friend to convince the squabbling wizards to restore her.

• When the Student is Ready. 2002

Beth Aswith's death has left a hole in the ranks of the wizards. Her power passes to a new host, who must be trained before the dark powers catch her unawares. But is a down-and-out street wizard the best teacher?

• Nanite, Star Bright. 2002

A great little retelling of the fairy tale of the shoemaker and the elves, in a SFnal setting.

• All Things Being Relative. 2001

A villainous queen tells the story of her bloody route to the throne to a very apprehensive scribe.

• Now Entering the Ring. 1999

Wrestling as catharsis.

• Death Rites. 2001

An early job for brother and sister assassins Bannon and Vree (before the setting of Fifth Quarter), as they must break a treasonous siege, caused by the stupidity of the King's cousin-marshal.

• Someone to Share the Night. 2001

Henry Fitzroy (Blood series, set after the last book) discovers he is lonely without Vicki, so advertises in a singles column. The responses make him realise how much he has changed.

• Oh Glorious Sight. 2001

How John Cabot's sailing to the new world had a helping hand.

• Sugar and Spice and Everything Nice. 2001

A 15-year-old genius trapped in a four-year-old's body get her revenge on the doctors experimenting on her.

• Another Fine Nest. 2002

Vicki Nelson (Blood series, set after the last book) is contacted by a nerd to hunt down a nest of blood-sucking King-tics preying on subway travellers. It becomes personal after she discovers Mike Celluci has been bitten...

• To Each His Own Kind. 2001

Dracula in Victorian London.

• Nights of the Round Table. 2002

Mother Orlan, a cleaner at Camelot, dispenses common-sense advice to King Arthur's knights. Her granddaughter helps her, also dispensing harmless advice...

• Succession. 2002

A tale of securing the succession in ancient Egypt.

• Swan's Braid. 1996

Terizan the thief applies to join the Thieves' Guild. Her test -- the seemingly simple task of stealing the braid of the great mercenary leader, Swan.

• In Mysterious Ways. 1997

Terizan the thief is charged with stealing from a god -- an act which would normally result in a short, uncomfortable remaining life for the thief. But Terizan is no normal thief.

• The Lions of Al'kalamir. 1999

Swan asks Terizan to steal some royal regalia for her employer. It is very well guarded.

• Sometimes, Just Because. 2003

Terizan is commissioned to steal from a wizard -- a task normally fraught with grave peril. But then she discovers that the real task is even more dangerous.

Magdalene is the most powerful wizard in the world. This might be a problem for everyone else, but fortunately she has no desire for power -- she prefers lounging round in the sunshine, or bedding attractive young men. But warlords, wizards and demons keep disturbing her peace, and need to be put in their place.

Terizan is the best thief in the city, and so the Thieves Guild, fearful of the competition, keep giving her seemingly impossible tasks. Will they manage to find one Terizan can't succeed at?

This collection of short stories, the front half about Magdalene, the back half (flip the book up the other way and start reading from the other front!) about Terizan, are written with Huff's usual amusing light touch, enhanced with a clever plot resolution. Fun stuff.

Contents (possible spoilers)

• Be It Ever So Humble. 1991

Magdalene, the most powerful wizard in the world, just wants to find a village where she can live peacefully.

• Swan's Braid. 1996

Terizan the thief applies to join the Thieves' Guild. Her test -- the seemingly simple task of stealing the braid of the great mercenary leader, Swan.

• In Mysterious Ways. 1997

Terizan the thief is charged with stealing from a god -- an act which would normally result in a short, uncomfortable remaining life for the thief. But Terizan is no normal thief.

• The Lions of Al'kalamir. 1999

Swan asks Terizan to steal some royal regalia for her employer. It is very well guarded.

• Sometimes, Just Because. 2003

Terizan is commissioned to steal from a wizard -- a task normally fraught with grave peril. But then she discovers that the real task is even more dangerous.

• The Last Lesson. 1989

Apprentice Magdelene learns that she is the most powerful wizard in the world when her master attempts to steal those powers, much to his discomfort.

• Mirror, Mirror, On the Lam. 1997

A thief steals the demon-containing mirror from Magdalene, forcing her to exert herself before the demon is freed.

• Third Time Lucky. 1986

A powerful wizard keeps challenging Magdalene to prove that she is more powerful than him, not remembering that he has failed before.

• And Who is Joah?. 1987

An apprentice arrives to learn from Magdalene, but gets captured in the demon world.

• Nothing Up Her Sleeve. 1993

The conclave of wizards decide to strip Magdalene of her powers. Then demons attack them.

• We Two May Meet. 2002

Magdalene gets split into two personalities, and must find out how to remerge before the demons come pouring through the portal into this world.

An interesting collection of stories about women warriors, before, during, or after battle. The ones that worked best for me were ones set in universes I already knew, where I could draw on the consequent depth and background not achievable in a short story. Nevertheless, some of the standalones also manage to be thought-provoking and/or exciting.

Contents (possible spoilers)

• Sharon Lee, Steve Miller. Fighting Chance

A Liaden Universe story. How Miri Roberston was recruited off Surebleak by Angela Lizardi.

• Rosemary Edghill. Painted Child of Earth

A warrior has an enchanted sword that makes her immortal, until it can use her to destroy the world. She fights its influence, saving a lad who wants to be a hero, and realises the benefits of companionship in keeping her humanity

• Julie E. Czerneda. She's Such a Nasty Morsel

A Web Shifters story. How Skalet, one of Esen's Web, became so involved in war.

• Fiona Patton. The Children of Diardin: To Find the Advantage

A pack of Sidhe shape-shifters need to find a battle advantage over the invading giants -- and discover that their mother is a force to be reckoned with.

• Tanya Huff. Not that Kind of War

A Confederation story. Staff Sergeant Torin Kerr has a new, gung-ho Leuitenant to take care of, during a retreat.

• Michelle West. The Black Ospreys

Sometimes to win a war, you have to use desperate tactics. But who do you choose to use them?

• Bruce Holland Rogers. The Art of War

Maybe the destrying alien fleet don't actually want to wage war, maybe they are just unimpressed with our fighting aesthetics.

• Kerrie Hughes. Geiko

A Geiko bodyguard hopes her young charge will become a trader, not a bodyguard too. Then she discovers that an assassin is after her, not her charge.

• Robin Wayne Bailey. Shin-Gi-Tai

What lengths a warrior and her alien lover will go to to stop a war that is destroying both sides.

• Jana Paniccia. The Last Hand of War

A complex story of warriors, and the warrior spirits who bond with them, fighting against a maddened sprit who threatens to destroy them all.

• Lisanne Norman. War Games

An attempt to rescue the President's kidnapped daughter has bizarre consequences that the warriors know cannot old forever. [The sexist subplot seems a bit 1970s, and out of place in this future army.]

• Jane M. Lindskold. Fire from the Sun

Andrasta helps clear a slave clan of a charge of uprising. But the events are part of a larger plot that will change the way of her own clan forever.

• Stephen Leigh. Sweeter far than Flowing Honey

A VR pilot engaged in a war against the Ghastlies keeps having strange dreams about other warriors and their destroyed families.

• Anna Oster. Token

Jun-Li is chosen to be the new Holy Defender, but is she up to the task?

• Kristine Kathryn Rusch. Elites

Rowena's half-way house for PTSD veterans has a great reintegration rate, so why doesn't she want others to use her cure?